Beauty

Hi, I'm a poet, I've published a few poetry books in French. I've been told that my poems are beautiful. I know that they are beautiful but I don't understand why. I also know that I can create beauty but I can't understand where this ability comes from. Is it a god-given ability or is it about technique? Any answers? Umar ( Mauritius )

Comments

In the history of philosophy, the term beauty (or its supposed equivalents in other languages) has sometimes been used as the most general term to designate aesthetic merit. It seems improbable that the term used in this way designates some quality (natural or non-natural) that inheres in beautfiul objects. Rather, it has since the 18th century been taken to denote tendency that the experiencing of certain natural objects or works of art has to be pleasurable for humans. For works of art like poems, presumably this means that they are beautiful if the reading of them tends to elicit pleasure in a reader (perhaps with some qualifications about a 'proerly qualified reader"--i.e. one who knows the language, who knows what a poem is, etc. and some qualifications about the pleasure--i.e. that it be 'disinterested' e.g. not economic or sexual.) There is, I think, a more interesting use of 'beautiful" in criticism in which it is not necessarily a positive feature of a work, but simply refers to certain features of a work which might be contrasted with 'powerful' or 'intense' or 'sublime.' In this usage, it would be entirely possible for a work to be "too beautiful" while that would not be possible with the first usage noted above. (I've heard some of Tchaikowsky's music described as 'too beautiful.')

The classics ( up to the XVIIIth century) believed that beauty is an objective matter, and that there are rules to attain it, based mostly on the imitation of nature, the depiction of human nature, and a certain aspiration for truth. At the same time many philosophers doubted that there is real beauty: the British "sentimentalists", e.g Hutcheson, Shafestbury, Smith , Hume and others believed that beauty ( like goodness) is a matter of expression of feelings. Nevertheless they thought that there could be agreement on such aesthetic and moral feelings ( see for instance Hume's famous essay "On the Standard of Taste". Why is it that today we have lost not only confidence in real beauty as an objective fact but also in the possibility of agreeing on aesthetic standards ? This is a long story of course, which ends up in today's post-modernist and relativistic themes. Not everyone agrees with that.

I recently read the book by the XVIIIth century painter William Hogarth, The Analysis of Beauty. Although he painted sometimes horrible scenes, he depicted human nature and believed that there are rules for crafting beautiful paintings, which he describes in the book. They are certainly not God given, and they imply a lot of work. Are they relative to his age ? I do not think so. Was his craft purely time relative? The success of the Hogarth exhibits in Paris and London last spring shows that there is permanent admiration for his work. I'm inclined to think, as the British philosopher of art Anthony Saville , that beauty stands "the test of time". So if the judgement about the beauty of your poems resists, and if you can at some point teach the rules of your art, you pass the test.

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