Beauty

I'd like to ask a question about aesthetics and philosophy in general. As an undergraduate student of philosophy, looking around at different traditions and particular, dominant thinkers, it seems that aesthetics is generally discounted as a strong motivation or deciding force in many facets of our lives. For instance, I think that most people will find it an odd when one suggests that aesthetics is an important part of ethics, economics, politics, science, mathematics, logic, ontology, epistemology, and so on. Yet in each of the disciplines I've just mentioned, it seems that an 'elegant' definition, solution or description is strongly praised by most people over 'messy' ones. For instance, we wonder at the simplicity and power of both Newton's laws and Einstein's e=mc2. An elegantly 'neat' solution to an ethical dilemma between two parties is generally preferred to an obscure, complex one. Plato is praised by many for his elegant use of illustrative metaphors. Elegance is surely an attribute firmly within the domain of aesthetics; and hence, aesthetic concerns do play a part in these disciplines. These examples are minimal: no great labour of thought was required to think them up. I am coming to suspect that (for whatever reason) aesthetic sense (whatever that is) is actually a fundamental part of the human experience; far greater than its proportional representation on library shelves suggests. I notice that on this web site, aesthetics is not even listed as a separate category: inferentially it has to be tacked on as a potential property of art, beauty, justice, medicine, knowledge, sex, sport, suicide, and so on. This contrasts to, say, ethics, which could also be described as a potential property of all the same categories, yet has its own category. My question is: are there philosophers who take aesthetics to be of as fundamental importance in philosophy as, say, ontology or epistemology? Also, is this an area of thought that is mobile in its degree of interest in the general philosophical community? Can we wait with suspenseful breath for a new Heidegger who reshapes our thinking about fundamental issues in terms of aesthetics?

If I hypothetically make something that is widely accepted as beautiful, then I reproduce it and put it everywhere so that everyone in the United States will see it at least once a day, but probably more than that, will it be considered less beautiful? If so, why do objects become less beautiful if they become more accessible? How much do wonder, curiosity, and imagination contribute as factors in defining something's aesthetical value? A friend of mine studying architecture said this: "In the context of architecture, the original modernist designs were considered stunning in their simplicity... but once they were reproduced over and over, and classical/victorian/old buildings were knocked down and destroyed, the situation reversed: those old buildings were considered beautiful again and the now over-abundant modernist buildings were now just noise in the background." How much of aesthetics is determined by the attribution of favorable nonaesthetic traits? If I look at a logo for a company whose functional work I am impressed with, and whose business model is beyond admirable, do I associate its sense of design with beauty? Is beauty a byproduct of functional compatibility? [Note: I realize there are many questions here, and I don't anticipate answers for all of them -- the one I'm most curious about is our attribution of accessibility to aesthetics.]

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