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Does writing a book or making a film render a hard copy of (part of) one's mind outside the brain? Are these two products as close as one can get to making one's mind accessible to others?
Accepted:
June 24, 2010

Comments

Charles Taliaferro
June 24, 2010 (changed June 24, 2010) Permalink

Without getting into the technicalities of philosophy of mind, I suggest that there is a general sense in which you give other people access to your mind any time you are honestly disclosive and expressive of your thoughts, feelings, desires. Films and books may be disclosive of the mind of the author / director, but they also may obscure and mask a person's inner thoughts.

Actually, you might consider flipping around the question and ask whether it makes some sense to think of works of art having a mind of their own. Arguably, this is all a matter of metaphorical attributions, but in our experience of art works can't we sometimes pick up a mood or emotion (there is anger or passion or desire in that film / book / painting, for example). John Updike once remarked that he thought books should have at least one secret. Of course one may interpret that as Updike claiming that the author should perhaps not be completely disclosive of all aspects of the plot and characters. But what about considering the idea that a book itself may be keeping a secret from you. It is a metaphor, but isn't it one that can make reading more exciting?

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